Efficient Workflow
GH7 is built to make your workflow seamless. ProRes RAW HQ internal recording and 32-bit float format recording* can be performed on the camera body itself, making it possible to produce high-quality and high-efficiency content with minimal setup.
ProRes RAW HQ Internal Recording
5.7K 30p ProRes RAW HQ footage can be recorded on the camera body itself, giving you the freedom to capture the moment at the click of a button with minimal setup and no need for external devices. Improved gimbal compatibility also expands the range of expressions.
World’s First 32-bit Float Recording
When combined with the DMW-XLR2 (sold separately), the LUMIX GH7 delivers the world's first 32-bit float recording.* With its wide dynamic range, 32-bit float records more information, from quiet to loud sounds, eliminating the need for tedious sound level adjustments during audio recording.
Unlimited Video Recording Time
With 4:2:2 10-bit C4K/4K 60p/50p internal recording, LUMIX GH7 delivers unlimited recording time when used at the recommended operating temperature, ideal for small production teams and in demanding conditions. Also allows for simultaneous internal and external recording via HDMI output.
Camera-to-Cloud integration with Adobe’s Frame.io
With Frame.io Camera to Cloud, creator’s images and videos are automatically uploaded, backed up, shared, and worked on jointly via the cloud.
Live Streaming
Choose your favorite streaming approach to share your latest in real time! For outdoor use, wireless live streaming (RTMP/RTMPS) is easy to set up with the LUMIX Sync app. For indoor use, highly stable wired live streaming (RTP/RTSP) is also available.
Real-time LUT
LUTs can be applied to photos and videos on the camera body itself, allowing you to create photos and videos straight out of the camera. Supports ".VLT" and ".CUBE" file formats. In combination with the LUMIX Lab app, you can easily create your own LUTs and install them on the camera.
ARRI LogC3 Recording
Using DMW-SFU3A Software Upgrade Key (sold separately), record in the ARRI LogC3* format to color match with ARRI’s digital cinema cameras, for improved workflow, rich color information, and a wide dynamic range.